Originally designed to be placed on top of a house with head facing downward, it no doubt influenced Alexander Milne Calder in the planning of his figure for City Hall.

Originally commissioned by a Washington newspaper publisher, the sculpture pays tribute to the heroine of “The Old Curiosity Shop.”

For Philadelphia casts light on the Comcast Technology Center Lobby with writings from local and global participants.

Loosely brushed blocks of color, white chalky patches and lines, and confetti-like patterns are layered over larger fields of color, and these forms are framed by sections of stripes and checkerboard grids. To Brooker, the checkerboard, seen in many of his paintings, represents “options, possibilities, and what could happen.”

The bronze by artist Jo Davidson captures the spirit of the free-striding American bard. This is a second cast from a plaster original.

Commissioned by the General Service Administration’s Art in Architecture program, this Louise Nevelson sculpture was dedicated during an elaborate reception in January 1976, at the dawn of the bicentennial year.

Janet Echelman’s Pulse traces in the surface of the fountain the paths of the subway and trolley lines that converge beneath Dilworth Park at City Hall.