Artwork

Artwork

Social Consciousness

(1954)

by Sir Jacob Epstein (1880 - 1959)

University of Pennsylvania, Memorial Garden Walkway near the Van Pelt Library

The Eternal Mother is seated with arms outstretched. Flanking her are two standing female figures: one representing Compassion and another that personifies Death. In 2019, Social Consciousness was relocated from the West Entrance of the Philadelphia Museum of Art to the University of Pennsylvania.

Artwork

The Mounted Amazon Attacked by a Panther

(1839, cast 1929)

by August Kiss (1802 - 1865)

Philadelphia Museum of Art at the Benjamin Franklin Parkway

The Mounted Amazon Attacked by a Panther was the work of German sculptor August Kiss. Caught in the midst of the attack, the figures convey the violence and emotional tension of the moment.

Artwork

Rocky

(1980)

by A. Thomas Schomberg (b. 1943)

Entrance to Philadelphia Museum of Art; Kelly Drive and Benjamin Franklin Parkway

In the movie “Rocky III” (1982), a massive statue of Philadelphia fighter Rocky Balboa, arms raised in triumph, is unveiled in the courtyard of the Museum of Art. In real life, actor Sylvester Stallone presented the statue to the City of Philadelphia.

Artwork

The Great Mother and The Great Doctor

(1955)

by Waldemar Raemisch (1888 - 1955)

School of the Future, 4021 Parkside Avenue, West Fairmount Park

Two sculptural groups with central figures symbolizing a universal Mother and a Doctor—allegorical expressions of the care, comfort, and guidance that adults can offer to children.

Artwork

The Slave

(1940)

by Hélène Sardeau (1899 - 1968)

Central Terrace of Ellen Phillips Samuel Memorial (north of Boathouse Row on Kelly Drive)

To accompany Maurice Sterne’s Welcoming to Freedom in the Ellen Phillips Memorial‘s Central Terrace, the Samuel Memorial committee chose to commission a figure of an unshackled slave.

Artwork

The Spirit of Enterprise

(1958)

by Jacques Lipchitz (1891 - 1973)

Central Terrace of Ellen Phillips Samuel Memorial Sculpture Garden (north of Boathouse Row on Kelly Drive)

The massive bronze installed in the Central Terrace of the Ellen Phillips Samuel Memorial represents America’s “Constructive Enterprise” — “the vigor, the power of harnessed nature, or the strength of men harnessing nature and making it conform to their uses and desires.”

Artwork

The Miner

(1938)

by John B. Flannagan (1895 - 1942)

Central Terrace of Ellen Phillips Samuel Memorial (north of Boathouse Row on Kelly Drive)

Opposite The Ploughman in the Central Terrace of the Ellen Phillips Samuel Memorial, John Flannagan’s The Miner commemorates the thousands of Americans who traveled west in search of wealth.

Artwork

The Laborer

(1958)

by Ahron Ben-Schmuel (1903 - 1984)

North Terrace of Ellen Phillips Samuel Memorial (north of Boathouse Row on Kelly Drive)

Artist Ahron Ben-Shmuel was commissioned to create a sculpture for the Ellen Phillips Samuel Memorial that would commemorate the working men and women who helped build the United States.

Artwork

OPEN AIR

(2012)

by Rafael Lozano-Hemmer (b. 1967)

Benjamin Franklin Parkway between 21st and 24th Streets

Inspired by Philadelphia’s rich tradition of democracy and respect for free speech, “OPEN AIR” transformed Philadelphia’s night sky with 24 powerful robotic searchlights that were directed by participants’ voices and GPS locations.

Artwork

James A. Garfield Monument

(1895)

by Augustus Saint-Gaudens (1848 - 1907)

Kelly Drive, south of Girard Avenue Bridge; across from Ellen Phillips Samuel Memorial

Following the assassination of James A. Garfield, the 20th President of the United States, the Fairmount Park Art Association (now the Association for Public Art) established a fund to create a fitting memorial.