A leading figure at the Academy of Natural Sciences, Joseph Leidy (1823-1891) is known as the “father of American vertebrate paleontology,” and is recognized as the foremost American anatomist of his time.

A celebration of the earliest settlers of the United States, Wheeler Williams’ Settling of the Seaboard is a relief carving of four figures.

This standing figure along with The Quaker by artist Harry Rosin was intended to represent major spiritual forces in the settling of the seaboard of the United States.

Cast in 1849 from figures at the Imperial Head Mechanical Works near St. Petersburg, Russia, these bronze lions once guarded Bartram Hall, industrialist Andrew M. Eastwick’s mansion near Bartram’s Garden.

Connections is a two-acre sculptural landscape designed by Greek American artist Athena Tacha who states that she models the land “through terraced gardens, while coloring and texturizing it with plants, trees, and rocks.”

A monument to great champion oarsman John B. Kelly, Sr. along the Schuylkill River, erected by the Friends of Jack Kelly.

Dedicated to architect Louis Kahn, Siah Armajani created a lecture room, meeting place, and gallery as a part of the Association’s “Form and Function” project.

Installed on the south side exterior of Philadelphia’s Independence Visitor’s Center, Alison Sky’s “Indelible” is a site-specific, narrative work intended to create awareness about American history that has gone undisclosed.

Arlene Love’s giant gilded nose and mouth with the rest of the face appearing to have broken away at the Monell Chemical Senses Center.

A nine-foot bronze bust with over 1,000 keys worked into the surface that portrays Benjamin Franklin turning to greet a visitor.