Law, Prosperity, and Power (1880)

by Daniel Chester French (1850 - 1931)

Photo Caption: Photo Alec Rogers © 2014 for the Association for Public Art
  • Title

    Law, Prosperity, and Power

  • Artist

    Daniel Chester French (1850 - 1931)

  • Year

    1880, installed 1882, relocated 1939

  • Location

    South George's Hill Drive, grounds of the Mann Center for the Performing Arts (enclosed behind fencing)

  • Medium

    Marble, on concrete base

  • Dimensions

    Height 15'10", width 16', depth 5' (base height 3', width 5'7", depth 5')

  • Themes

    Political Public Art

Commissioned for the U.S. Post Office and Federal Building in Philadelphia

Owned by the City of Philadelphia

At A Glance

  • Please note that the grounds are enclosed where the sculpture is located; contact the Mann Center at info@manncenter.org for access

  • The sculpture idealizes government in a lyrical form and material — marble

  • Among Daniel Chester French’s early commissions were lofty allegorical works that described the functions of federal buildings

  • After the U.S. Post Office and Federal Building was destroyed, the sculpture was relocated to Fairmount Park with the help of the Association for Public Art

The Law, Prosperity and Power sculpture on the Mann Center grounds during an outdoor concert happening
Photo courtesy the Mann Center for the Performing Arts

Daniel Chester French was born in Exeter, New Hampshire, and was a member of an established New England family. When he was 23 years old, he created a highly praised Minute Man for Concord, Massachusetts. After completing his studies in Europe, French received a number of federal commissions.

Among French’s early commissions were lofty allegorical works that described the functions of federal buildings. Law, Prosperity, and Power, commissioned for and installed atop the U.S. Post Office and Federal Building in Philadelphia, idealized the government in a lyrical form and material – marble – inspired by the artist’s sojourn in Florence. When the building was destroyed in 1937, the work was given to the city and relocated to Fairmount Park with the help of the Fairmount Park Art Association (now the Association for Public Art).

French is best known in Philadelphia for his statue of General Ulysses S. Grant, a later work in the artist’s mature style.

Adapted from Public Art in Philadelphia by Penny Balkin Bach (Temple University Press, Philadelphia, 1992).

 

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